Vision: Shaylee Smith

Time: Morning/ Early afternoon
Framing: Leading lines/ Rule of thirds
Shutter: Fast
Exposure: Bright/ Vibrant
Depth of Field: Semi Narrow (Just enough to blur the trees in the background)
Focal: Flowers and river
ISO: 200
Focal Length: Short

Bentli Burgon : Vision

Subject: Underwater House
Location: Spanish Fork Canyon
Light: Cool and blue. 10 minutes after sunset
Shadows: Non
Frame: Underwater House in focus with a mountain in the back
Shutter Speed: 1/160
ISO: 200
Aperture: 3.5; focusing more on the house then what's around it
Exposure: Under Exposed
Focal Length: 16

Perspective: the sinking house with high mountains above it.

Vision: McKlayne Moss

Subject: Western horizon after sunset
Location: summit of Fairview Canyon
Time/date: 2045/9-9-17
camera angle: level pointed west
ISO: (priority) 100
shutter speed: 1/4 (ended up being much longer, especially with a lens filter)
aperture: 3.5ish
equipment: Nikon D3100, standard lens, tripod, lens filter
depth of field: 18mm

vision: reagan

     This place is important to me because it reminds me of my frantic walk a took to school everyday. With this shoot I wanted to capture my perspective of this walk, I wanted to capture the building coming into sight. At first I wanted the building to be in focus but I also liked the trees in focus because thats the first thing that comes into focus when i turn the corner. I decided to shoot at sunset to bring in better light even though I normally see this place in the afternoon. I planned on shooting at about 200-400 iso, my smallest aperture 5.6. I planned on capturing the pavement leading up to the sand, and I knew I wanted a strait on view to simulate my normal view. Its a little fuzzy because I wanted to capture the feeling of movement.

land installation reagan

Vision - Taylor Jennings

The arch up maple canyon. Shoot below the arch looking up. Go late afternoon when the lighting is better. Might not be the greatest lighting due to all the foliage. Shutter speed does not matter all that much. Just enough to capture the image without motion. Want a deep depth of field, small aperture, focus remaining on the arch with enough to see the background. ISO set on 100 unless lighting becomes an issue.

Vision -- Aften Ritzman

~First big bend in the Emerald Pools Trail in Zion National Park
~Sun coming from the end of the canyon
~River coming from the bottom middle toward mid right
~Cliffs lining the top, minimal sky
~Light reflecting on the river
~ISO 100 due to high sunlight
~Wide depth of feild
~Fast shutter speed

Vision: Yukiko Miyazawa

The East back roads up on a hill. Image of the mountains with a mini valley in the late afternoon when the sun is more to the West. Use that light for natural lighting. Plan on balancing out the sky, valley, and mountain. If composition doesn't work, look behind to see if there is a trail and get a mountain range in it. Use a large aperture and medium to low ISO. Faster shutter to avoid motion/camera shake, but not too fast for the sake of exposure. 

(The sky, valley, mountain didn't work for me. So went with plan two.) 

Vision- Jessica Mason

On top of a hill with fields in the foreground and mountains in the background. A shaggy tree will be in the side of the frame. The sunset will be in the background. Since it will be bright with the sun I want a lower ISO and will want to follow the sunny F16 rule. Shutter speed doesn't matter too much, just fast enough so there isn't any camera shake.

Landscape Installation Jessica Carbine

Landscape Installation Jessica Carbine